Chris Garrard & Duncan Williams. ‘Tools for fashioning voices: an interview with Trevor Wishart’, Contemporary Music Review, Volume 32, Issue 5, published by Taylor & Francis in 2013, 511-525.

Chris Garrard & Duncan Williams. Guest editors of ‘SPEEC 2012 – a selected proceedings’, Contemporary Music Review, Volume 32, Issue 5, published by Taylor & Francis in 2013.


Chris Garrard. ‘Images of Metamusic: Photographs, Landscapes and Photos of Landscapes in the Work of Valentin Silvestrov and Gerhard Richter’. Doctoral thesis passed without corrections in September 2013.

Chris Garrard. ‘Carving a Landscape with History: Silvestrov’s orchestral music as glacial process’. Paper delivered at Hearing Landscapes Critically conference in 2012.

Oil Sponsorship of the Arts

‘Music, Politics and Ethical Sponsorship.’ Sound and Music – The Sampler Blog, 14th April 2015. Available here.

‘Fighting big oil’s arts sponsorship’. The Ecologist, 27th January 2014. Available here.

‘Who pays for art? It is our responsibility to look at the hidden costs of corporate sponsors.’ Classical Music Magazine, December 2013. Available here.

‘Uneasy listening: Shell, Strauss and the Southbank Centre.’ Platform London Blog, June 2013. Available here.

‘Shell Classic International: A musical mask and a social licence.’ Platform London Blog, October 2012. Available here.